For studios & labels
One sound standard across your whole catalog
The same targets and the same measured proof on every track, whoever ran the job and whenever they ran it.
What gets in the way
Consistency across a catalog is manual
Twelve tracks, three engineers and a deadline produce twelve defensible masters that do not sit together as a record. Making them match is a pass nobody budgeted for.
Volume work is the work you cannot take
A back catalog of four hundred recordings to clean up is either a quote nobody accepts or a project nobody staffs. The economics only change when the cost per track does.
You are responsible for other people's recordings
Unreleased material in a third-party tool is a conversation with an artist you would rather not have, and “we use a cloud service” is not an answer to it.
The workflow
How it goes
- 01
One target, applied to everything
Set the loudness and tone once, from a reference track if the record already has one, and every track in the run is measured against the same target and reports its result. Consistency becomes something you can verify instead of something you hope for.
- 02
Volume through the API
The same engine the Studio uses, through a published contract. Submit jobs, receive signed webhooks when they finish, fetch results by signed URL. Audio never passes through the API itself, and every response carries an identifier that traces to the job and its stages.
- 03
Isolation you can describe to an artist
Each workspace has its own storage and its own credentials, audio is reachable only through signed, expiring links, and decoding runs in a sandbox with no network. Staff cannot listen to your audio, and every internal read is audited. That is an access model, not a policy statement.
- 04
Seats when you need them
A plan sets the usage for the whole workspace, shared across everyone in it, and seats attach to Professional and Max without changing plan. A three-person room does not have to buy the top tier to be three people.
The suite
The tools you would use
AI Mastering
Loud, clear and ready for every streaming service, with the numbers to prove it.
Audio Restoration
Rescue a recording: lose the noise, echo and hum, or keep only the voice.
Stem Separation
Pull any song apart into vocals, drums, bass, piano, guitar and the rest.
Spatial Audio
Immersive headphone and surround mixes from your stems.
Questions
What people ask before starting
- How consistent is it across a catalog?
- The chain is deterministic: the same input and options render the same output, and an identical re-run returns the earlier result instead of computing it again. What varies between two tracks is what the measurements found in them, which is exactly the variation you want.
- What happens when a job fails?
- Jobs that fail for our reasons are not charged. The fault codes are part of the published API contract, so an automated pipeline can branch on them instead of waiting for a support ticket.
- Who can access our audio?
- Your workspace. Staff cannot listen to it by default, every internal read is recorded and auditable, and audio moves only through signed links that expire. It is never used to train anything without your separate, explicit agreement.
- Can we run this through our own pipeline?
- Yes. The API is asynchronous, with jobs, live progress and signed file URLs, and it runs the same engine as the Studio, not a reduced version of it.
- How does this work for a room with several people?
- A plan sets the usage for the workspace and it is shared across everyone in it, with seats on the upper plans. A three-person room does not have to buy the top tier to be three people.
- What about volume commitments?
- Catalog work is a conversation, not a checkout. Tell us its shape and we will tell you straight whether Euphona is the right answer for it.
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